{"title":"Marching Band Designs","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHere it is:\u003c\/p\u003e\n\u003chr class=\"border-border-200 border-t-0.5 my-3 mx-1.5\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhite Mage Music has been designing competitive marching band shows since 2004. The productions listed here are available for purchase as complete, performance-ready packages — original music, full arrangements, and audio-ready scores built for real ensembles at real competitive levels. Every show sale is geography-tracked, meaning no two programs in the same competitive region will ever perform the same design in the same season. If you need modifications — instrumentation adjustments, range edits, or access to the original notation files — those options are available at checkout. These shows have been performed by programs competing in UIL, ISSMA, SCBDA, BOA, TOB, and Cavalcade circuits, and by DCI and DCA corps. If you're looking for something built specifically for your ensemble from the ground up, visit our \u003ca class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"\/pages\/custom-marching-design\"\u003ecustom marching band show design page\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eOptions for purchase are:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePDF Set As-is\u003c\/span\u003e: Receive the show in its current format. Any edits will need to be performed in-house.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMinor Edits\u003c\/span\u003e: We will comb through the show file and make minor adjustments for instrumentation or any extreme range situations.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePurchase the Notation File\u003c\/span\u003e: You will get the original music notation (Sibelius or XML) file, to which you are able to make any editing necessary for your group.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImportant note:\u003cbr\u003e\u003c\/strong\u003eMany of the show designs listed include arrangements of copyrighted works. For those products, you must obtain \u003cem\u003e\u003cstrong\u003epermission to arrange\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e\u003c\/strong\u003e for each work prior to any of the files being released for your band. This can be done quickly and easily through a clearinghouse such as Tresona Music. We also \u003ca href=\"https:\/\/whitemagemusic.myshopify.com\/blogs\/news\/alternative-copyright-processes\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ehave a blog post\u003c\/a\u003e that explains how to skip over Tresona and save your band a lot of money. If you have any questions, let us know.\u003c\/p\u003e","products":[{"product_id":"a-hero-rises","title":"A Hero Rises","description":"\u003cp\u003eThis is a production about a young boy who discovers he is an other-worldly super hero. As he grows up to accept who he is, he begins to understand his charge for life: to make a difference for each and every human on the Earth. He must overcome all his own obstacles in order to be the savior and hero for all of humanity. A thrilling journey of transformation and growth that will empower the hero within us all. Witness a young boy embrace his destiny as he fights to save the world and become the shining symbol of justice and hope.\u003c\/p\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003ePermissions to Arrange are required for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eWhat Are You Going to Do\u003c\/em\u003e by Hans Zimmer (from \u003cem\u003eMan of Steel\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePower of the Sun\u003c\/em\u003e by John Ottman (from \u003cem\u003eSuperman Returns\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eKryptonite\u003c\/em\u003e by 3 Doors Down\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eBank Job\u003c\/em\u003e and \u003cem\u003eRough Flight\u003c\/em\u003e by John Ottman (from \u003cem\u003eSuperman Returns\u003c\/em\u003e)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44641949581526,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44641949614294,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44641949647062,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/JasperArt_2023-11-12_17.43.44_upscaled.jpg?v=1699832675"},{"product_id":"sirens-life","title":"A Siren's Life for Me","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is the story of 17th century sailors piloting their ships through the unknown of the Caribbean Sea, encountering Sirens who are anxious to seduce the sailors and pull them (and their ships) under the sea! Join us on a journey of exploration, love, and the fight to save your own life in \"A Siren's Life for Me.\" Embrace a life of nautical adventure and passionate encounters, as you fight to stay on course and stay alive in the stunningly treacherous Caribbean Sea. Take the plunge into the thrilling world of \"A Siren's Life for Me!\"\u003c\/p\u003e\n\u003cp\u003eCopyright permissions required for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eA Kaleidoscope of Mathematics\u003c\/em\u003e by James Horner\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSirens\u003c\/em\u003e by Harry Gregson-Williams (from \u003cem\u003eSinbad:Legend of the Seas\u003c\/em\u003e)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003ePirates Meet Mermaids at Whitecap Bay\u003c\/em\u003e by a guy from \u003cem\u003ePirates of the Carribbean\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThis Cruel Moon\u003c\/em\u003e by John Mackey\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOne Last Show\u003c\/em\u003e by a guy from \u003cem\u003ePirates of the Carribbean\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eString Quartet in F Major\u003c\/em\u003e by Maurice Ravel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Advanced, which lines up with a concert grade of roughly 3.5 to 5, and at times beyond it. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44641949712598,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44641949745366,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44641949778134,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/JasperArt_2023-11-12_17.46.42_upscaled.jpg?v=1699833150"},{"product_id":"black","title":"Black","description":"\u003cp\u003eBlack is about refusing to disappear into what everyone expects of you. It follows a character pushing back against the pressure to fit a mold, and finding their way to their own identity instead, the color black standing in for both the weight of those expectations and the bold, unapologetic self on the other side of shedding them. It's a show with edge and a message, aimed squarely at students figuring out who they are.\u003c\/p\u003e\u003cp\u003eAn advanced production, it gives a mature program something with attitude and substance both, driving and dramatic, built to say something rather than just entertain.\u003c\/p\u003e\u003cp\u003eThe music:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePaint It Black (The Rolling Stones)\u003c\/li\u003e\n\u003cli\u003eWelcome to the Black Parade (My Chemical Romance)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThis show is rated Advanced, which lines up with a concert grade of roughly 3.5 to 5, and at times beyond it. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange required for both selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44641949810902,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44641949843670,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44641949876438,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/JasperArt_2023-11-12_17.47.19_upscaled.jpg?v=1699833162"},{"product_id":"city-of-gold","title":"City of Gold","description":"\u003cp\u003eCity of Gold chases the legend of El Dorado, the fabled lost city of impossible wealth that sent explorers to their ruin looking for it. It's a high-energy adventure show, all momentum and percussion, built on the pull of a treasure that may not even exist and the obsession that drives people deeper into the search. There's opulence and danger in equal measure, and the shimmer of gold always just out of reach.\u003c\/p\u003e\u003cp\u003eAn advanced production with heavy percussion demands and plenty of spotlight moments, it gives a strong program a cinematic, driving vehicle and a story a crowd follows without needing a program note.\u003c\/p\u003e\u003cp\u003eThe music:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEl Camino Real (Alfred Reed)\u003c\/li\u003e\n\u003cli\u003eThe Ecstasy of Gold (Ennio Morricone)\u003c\/li\u003e\n\u003cli\u003eGolden Hour (JVKE)\u003c\/li\u003e\n\u003cli\u003eIncantation and Dance (John Barnes Chance)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThis show is rated Advanced, which lines up with a concert grade of roughly 3.5 to 5, and at times beyond it. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange required for all selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44641949909206,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44641949941974,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44641949974742,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/JasperArt_2023-11-12_17.47.45_upscaled.jpg?v=1699833173"},{"product_id":"cleared-for-takeoff","title":"Cleared for Takeoff","description":"\u003cp\u003eCleared for Takeoff runs the whole arc of a flight, from the bustle of check-in and the wait at the gate to the lift of wheels leaving the ground and the world shrinking below. It's a fun, high-energy travelogue with a wink in it, the airport chaos, the boarding rush, even the snack cart, all played for the joy of going somewhere. Underneath the fun there's a departure metaphor that makes it a natural senior show: the moment you leave the ground you knew for somewhere new.\u003c\/p\u003e\u003cp\u003eA State Champion production, it's a crowd-pleaser with a track record. The medium-advanced writing suits a solid mid-size program, and the concept reads instantly from the stands.\u003c\/p\u003e\u003cp\u003eThe music:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCome Fly With Me (Frank Sinatra)\u003c\/li\u003e\n\u003cli\u003eOne Day I'll Fly Away (Randy Crawford)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange required for both selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44641950007510,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44641950040278,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44641950073046,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/JasperArt_2023-11-12_17.48.08_upscaled.jpg?v=1699833185"},{"product_id":"end-of-an-era","title":"End of an Era","description":"\u003cp\u003eEnd of an Era tells the story of a nightclub on its last night, and finds a whole emotional arc in it. It opens intimate and nostalgic, a small jazz club winding down, full of the warmth of a place that meant something. Then it turns: the ending isn't just a closing, it's the ground clearing for something new, and the show rebuilds into a bolder, brighter rebirth with a completely different flavor. It's about the strange hope on the far side of an ending.\u003c\/p\u003e\u003cp\u003eAn advanced production with featured solo moments that put your standout players in the spotlight, it gives a mature ensemble a dramatic journey to perform, from smoky and quiet to loud and alive.\u003c\/p\u003e\u003cp\u003eThe music:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGroundhog Day (Em Beihold)\u003c\/li\u003e\n\u003cli\u003eGoodbye to a World (Porter Robinson)\u003c\/li\u003e\n\u003cli\u003eFlowers of Herself (Max Richter)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThis show is rated Advanced, which lines up with a concert grade of roughly 3.5 to 5, and at times beyond it. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange required for all selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44641950105814,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44641950138582,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44641950171350,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/JasperArt_2023-11-12_17.48.32_upscaled.jpg?v=1699833198"},{"product_id":"in-winter","title":"In Winter","description":"\u003cp\u003eIn Winter is the season at full force, not a gentle snow-globe version but the real bluster and grandeur of deep winter. It moves through the cold and the wind and the strange beauty of a world gone white, with the shimmer of the holidays running underneath it. It's atmospheric and bold at the same time, the hush of falling snow and the roar of a storm in the same show.\u003c\/p\u003e\u003cp\u003eA Class Promotion production, it's a proven, effective show that a mid-size band can carry, with medium-range writing and a built-in seasonal hook that crowds respond to immediately. Familiar, striking, and a little fierce.\u003c\/p\u003e\u003cp\u003eThe music:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCarol of the Bells (arr. Peter Wilhousky)\u003c\/li\u003e\n\u003cli\u003eGrand Finale from Edward Scissorhands (Danny Elfman)\u003c\/li\u003e\n\u003cli\u003eRussian Christmas Music (Alfred Reed)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange required for all selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44641950204118,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44641950236886,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44641950269654,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/JasperArt_2023-11-12_17.48.57_upscaled.jpg?v=1699833209"},{"product_id":"lightnin-bugs","title":"Lightnin' Bugs","description":"\u003cp\u003e\u003cem\u003eLightnin' Bugs\u003c\/em\u003e is a summer evening on a back porch, the kind where the sun takes forever to go down and nobody wants it to. The show captures that specific quality of childhood summer: the anticipation before dark, the chaos of the chase, the quiet moment when you actually catch one and hold it in your hands.\u003c\/p\u003e\n\u003cp\u003eThe musical centerpiece is a structural game the show plays all the way through. Ryan George's \u003cem\u003e\u003cstrong\u003eFirefly\u003c\/strong\u003e\u003c\/em\u003e and Owl City's \u003cem\u003e\u003cstrong\u003eFireflies\u003c\/strong\u003e\u003c\/em\u003e, two different songs, same subject, wildly different personalities, are woven around and through each other from the opening notes to the closer. They trade phrases, interrupt each other, finish each other's sentences. The effect is exactly what it sounds like: two kids chasing the same thing from opposite directions, neither one quite catching it until the show decides to let them.\u003c\/p\u003e\n\u003cp\u003eThe arc moves from the restless energy of dusk through the full-tilt sprint of the chase, with a quieter middle section that gives the show room to breathe before the finale brings both themes home together. It's a crowd show, the kind where the audience figures out what's happening and grins because they're in on it.\u003c\/p\u003e\n\u003cp\u003eFor younger or developing programs looking for a show with genuine personality and strong audience appeal, \u003cem\u003eLightnin' Bugs\u003c\/em\u003e delivers without asking for more than your band can give.\u003c\/p\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCopyright clearances required:\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eFirefly\u003c\/em\u003e (Ryan George)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eFireflies\u003c\/em\u003e (Owl City)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44641950302422,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44641950335190,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44641950367958,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/JasperArt_2023-11-12_17.49.42_upscaled.jpg?v=1699833221"},{"product_id":"loop","title":"Loop","description":"\u003cp\u003eLoop is a show that feeds back into itself. It's built on the idea of material coming back around, small, memorable musical ideas that return, fold over each other, and connect the whole production into a single recurring shape. The fun of it is watching a simple motif planted early keep resurfacing in new places until the audience is humming something they didn't realize they'd learned.\u003c\/p\u003e\u003cp\u003eIt's a clean, clever concept with an earworm at the center, and the medium-range writing makes it approachable for a band of any size. A program looking for something a little smarter than a standard medley, without a steep difficulty climb, gets exactly that.\u003c\/p\u003e\u003cp\u003eThe music:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePhilharmonia Fantastique (Mason Bates)\u003c\/li\u003e\n\u003cli\u003eGhosts (Muse)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. 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Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange required for both selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44641950400726,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44641950433494,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44641950466262,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/JasperArt_2023-11-12_17.50.09_upscaled.jpg?v=1699833232"},{"product_id":"reflecting-hope","title":"Reflecting Hope","description":"\u003cp\u003eReflecting Hope is about the way meaning only becomes clear in hindsight. It takes its cue from Steve Jobs' line that you can only connect the dots looking backward, and builds a show around that idea: the struggle you're inside of never makes sense until later, when you turn around and see the shape of it. It moves through self-reflection, community, and the hard-won joy that comes out the other side of a difficult stretch.\u003c\/p\u003e\u003cp\u003eAn advanced production, it asks a lot of an ensemble and gives a lot back, a show with emotional weight and the musical substance to carry it. It suits a mature program ready to play something serious and let a crowd sit with it.\u003c\/p\u003e\u003cp\u003eThe music:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003ePhilharmonia Fantastique (Mason Bates)\u003c\/li\u003e\n\u003cli\u003eThe Prayer Cycle: Hope (Jonathan Elias)\u003c\/li\u003e\n\u003cli\u003eAwakenings: Joy (Joseph Curiale)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThis show is rated Advanced, which lines up with a concert grade of roughly 3.5 to 5, and at times beyond it. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. 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It's built on overload as both a concept and a feeling: relentless, driving, electric, a barrage of energy and information surging until something has to give. Cold digital precision runs headlong into pure chaos, and the show rides that collision, the hum of the machine, the glitch in the code, the total system failure and whatever reboots on the other side of it.\u003c\/p\u003e\n\u003cp\u003eThe music is where this one announces itself, a fearless, genre-smashing collision of the electronic, the cinematic, and the classical, stacked and layered until the sheer density becomes the point. It's a high-energy, high-concept production for a fearless program, an ensemble that wants a show with relentless drive, a striking modern edge, and a rep list nobody else on the circuit would dare to assemble.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOverture to TRON (Daft Punk \/ Wendy Carlos)\u003c\/li\u003e\n\u003cli\u003eOblivion (M83)\u003c\/li\u003e\n\u003cli\u003eInspired by Winter, from The Four Seasons (Antonio Vivaldi)\u003c\/li\u003e\n\u003cli\u003eDeath by Glamour, from Undertale (Toby Fox)\u003c\/li\u003e\n\u003cli\u003eChampion 1995 (Christian Wilckens)\u003c\/li\u003e\n\u003cli\u003eSymphony No. 25 in G minor (Mozart)\u003c\/li\u003e\n\u003cli\u003eRequiem (Mozart)\u003c\/li\u003e\n\u003cli\u003eAlgorithm (Muse)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Advanced, which lines up with a concert grade of roughly 3.5 to 5, and at times beyond it. 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It's a show of pure momentum and wonder, the thrill of the launch, the rush of acceleration past every limit, the vertigo of watching the clock come apart. From the countdown to the leap, it captures the adrenaline and the awe of slipping loose from the one force nobody escapes, and racing off to see what lies on the other side of \u003cem\u003enow\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThis show was designed for small bands to be successful. The score includes parts for all instruments, but there is significant doubling across those parts, so any combination of instruments, including less-than-ideal instrumentation, can carry the show in performance.\u003c\/p\u003e\n\u003cp\u003eThe production is cinematic, propulsive, and flat-out fun, driving and adventurous, with the widescreen energy of a great sci-fi score. And it's designed from the ground up to make a small band successful: the writing is built to sound big and land hard without demanding a huge roster, so a compact program gets all the excitement and impact of a blockbuster show at a scale they can actually field. Big, bold, and built for velocity, with instantly recognizable music a crowd locks onto immediately, it's a show that launches from the first note and doesn't let up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEnterprising Young Men, from Star Trek (Michael Giacchino)\u003c\/li\u003e\n\u003cli\u003eTime Stand Still (Rush)\u003c\/li\u003e\n\u003cli\u003eBack to the Future (Alan Silvestri)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Easy, which lines up with a concert grade of roughly 2 to 3. That's an approximation. 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The show descends into the earth in search of something valuable, and the deeper it goes, the clearer it becomes that the treasure was never really the gold or the titanium, it was the worth and the purpose the digging uncovers along the way. It's a show about self-reflection told through the grit and effort of the dig, not the polish of the payoff.\u003c\/p\u003e\u003cp\u003eThe music runs from percussive and driving to reflective and open, giving a mid-size program dynamic range and plenty of room for players to step out. 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It sits with the feeling most students know and few admit to, that your struggles are yours to carry by yourself, and then it takes that apart. The whole show turns on the idea buried in its title: everyone, and every one. We are far more connected in what we carry than we ever let on, and the show builds from isolation toward the relief of being seen.\u003c\/p\u003e\u003cp\u003eA State Champion production, it trades spectacle for something a crowd feels in the chest, and it means something to the students performing it. 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The arrival feels earned because the audience has traveled with you to get there. It's an uplifting finish that gives your program a genuine sendoff moment, the kind that stays in the gym long after the last note.\u003c\/p\u003e\n\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNo copyright clearances required. All music is original, composed by Ryan J. 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Not the triumph, but the work behind it. The score moves through four distinct movements, each one a different angle on the same question: what does it take to leave everything behind and go anyway?\u003c\/p\u003e\n\u003cp\u003eBruce Broughton's \u003cem\u003e\u003cstrong\u003eLost in Space\u003c\/strong\u003e\u003c\/em\u003e opens the show with scale and unease in equal measure. The universe is enormous. The band sounds like it knows this. It's an opening that earns attention without begging for it.\u003c\/p\u003e\n\u003cp\u003eJohn Ottman's \u003cem\u003e\u003cstrong\u003eEnterprising Young Men\u003c\/strong\u003e\u003c\/em\u003e shifts the energy, this is the launch, the moment where preparation becomes action. The writing is propulsive and technically demanding, giving your ensemble a chance to demonstrate both precision and momentum before the show pivots.\u003c\/p\u003e\n\u003cp\u003eClaude Debussy's \u003cem\u003e\u003cstrong\u003eRêverie\u003c\/strong\u003e\u003c\/em\u003e arrives as the emotional center of the production. In the middle of all that ambition and velocity, the show stops and asks something quieter: why are we doing this? It's the moment your soloists carry the show, and the moment the audience leans in closest. As public domain, it requires no copyright clearance.\u003c\/p\u003e\n\u003cp\u003eJohn Ottman's \u003cem\u003e\u003cstrong\u003eThe Shadow Chase\u003c\/strong\u003e\u003c\/em\u003e closes the show by answering the question \u003cem\u003eRêverie\u003c\/em\u003e posed. The determination returns, harder-edged and fully committed. This is the arrival, not gentle, but earned.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCopyright clearances required:\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eLost in Space\u003c\/em\u003e (Bruce Broughton)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eEnterprising Young Men\u003c\/em\u003e (Michael Giacchino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Shadow Chase\u003c\/em\u003e (Michael Giacchino)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRêverie\u003c\/em\u003e (Claude Debussy) is public domain, no clearance required.\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44663722016982,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44663722049750,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44663722082518,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/Gemini_Generated_Image_o5nndno5nndno5nn.png?v=1773621896"},{"product_id":"the-bride-of-frankenstein","title":"The Bride of Frankenstein","description":"\u003cp\u003eThe Bride of Frankenstein tells the darker, stranger half of the monster's story: not the creature, but the bride, stitched together and shocked into being to serve as a companion she never asked for. It's a gothic tragedy with a haunting center, the storm and the spark, the trembling first breath of something made to be loved, and the chilling moment she opens her eyes and refuses the very purpose she was built for. This is a show about creation and rejection, about a life brought into the world on someone else's terms and the horror of what happens when it says no.\u003c\/p\u003e\n\u003cp\u003eThe production is dripping with atmosphere: crackling electricity, gothic dread, and real dramatic weight underneath the thrills. It gives an ensemble a vivid, theatrical world to inhabit, from the mad-science frenzy of the laboratory to the eerie beauty and heartbreak at the story's core. And because the entire score is original, composed for the marching field, there's nothing to license and no other band performing it, a chilling, cinematic, story-rich show that's yours alone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOriginal score by Ryan, composed for the marching field\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Easy, which lines up with a concert grade of roughly 2 to 3. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis show is entirely original. No permissions or licensing are required.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44663724572886,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44663724605654,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44663724638422,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/TheBrideofFrankenstein.jpg?v=1700371054"},{"product_id":"the-legend-of-king-arthur","title":"The Legend of King Arthur","description":"\u003cp\u003eThe Legend of King Arthur brings one of the most enduring stories ever told to the field: the boy who pulled the sword from the stone and became a king. It's a show of genuine sweep and grandeur, the making of a legend and the cost of it, from the wonder of a sword drawn from stone to the golden rise of Camelot, from the noble ideal of the Round Table to the betrayal and heartbreak that ultimately bring it all down. It's chivalry and magic, glory and tragedy, the timeless arc of a kingdom that shone brightly and could not last.\u003c\/p\u003e\n\u003cp\u003eThe production is built for epic scale and real emotional range, the martial drive of kings marching to war, the sacred pageantry of the court, and the elegiac sorrow of the fall. Grounded in the weight and craft of serious wind band writing, it gives an ensemble a sweeping, cinematic story to tell from end to end, a grand, dramatic, story-driven show with the musical substance to carry every chapter of the legend.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIn the Spring, at the Time When Kings Go Off to War (David Holsinger)\u003c\/li\u003e\n\u003cli\u003eCanterbury Chorale (Jan Van der Roost)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for both selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44663728046294,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44663728079062,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44663728111830,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/TheLegendofKingArthurWMM.jpg?v=1700371185"},{"product_id":"the-logic-of-creativity","title":"The Logic of Creativity","description":"\u003cp\u003eThe Logic of Creativity is a show about the two halves of the mind, the logical and the artistic, the analytical left brain and the intuitive right, and what happens when they stop competing and start working as one. It opens in tension, the cold precision of reason set against the free color of imagination, two ways of seeing that seem like opposites. But the show's real subject is the meeting point: the moment logic and creativity fuse into something greater than either, the spark of a beautiful mind. It's a production about the strange, brilliant alchemy of thought itself.\u003c\/p\u003e\n\u003cp\u003eThis show was designed for small bands to be successful. The score includes parts for all instruments, but there is significant doubling across those parts, so any combination of instruments, including less-than-ideal instrumentation, can carry the show in performance.\u003c\/p\u003e\n\u003cp\u003eThe concept is smart, elegant, and modern, and it plays out in music that moves between the structured and the shimmering, the mathematical and the dreamlike. It's a strong fit for a smaller program with big ideas, the intellectual concept and the visual contrast carry the show, so a compact band can make a sophisticated, memorable statement. A thinking program's production, built for an ensemble that wants a concept with real substance behind it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eString Quartet in F (Maurice Ravel)\u003c\/li\u003e\n\u003cli\u003eA Kaleidoscope of Mathematics, from A Beautiful Mind (James Horner)\u003c\/li\u003e\n\u003cli\u003eSymphonic Movement (Václav Nelhýbel)\u003c\/li\u003e\n\u003cli\u003eThe Hours (Philip Glass)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for the Horner, Nelhýbel, and Glass selections. Ravel's String Quartet in F is in the public domain.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44663731912918,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44663731945686,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44663731978454,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/TheLogicofCreativityWMM.jpg?v=1700371362"},{"product_id":"together","title":"Together","description":"\u003cp\u003eTogether is a tribute to the people who shape us, the mentors, the teachers, the guides who saw something in us before we saw it ourselves, and to the bond that runs in both directions between them and the ones they lift up. It's a show about gratitude and about legacy, about the hand that steadies you and the moment you become the one doing the steadying. This is music for anyone who has ever been carried by someone who believed in them, and for everyone who has ever passed that belief on.\u003c\/p\u003e\n\u003cp\u003eThe production trades spectacle for sincerity. It's warm, heartfelt, and deeply human, built on songs of love, devotion, and unshakable support, and it gives an ensemble something rarer than a highlight reel: a genuine emotional throughline that lets a crowd \u003cem\u003efeel\u003c\/em\u003e something. For a band program, where mentorship is the whole point, it's a show that means something to play. Honest, moving, and quietly powerful, it lands with a sincerity that spectacle can't touch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWhere Do I Begin (Love Story)\u003c\/li\u003e\n\u003cli\u003eOne Love (Bob Marley)\u003c\/li\u003e\n\u003cli\u003eLet It Be (The Beatles)\u003c\/li\u003e\n\u003cli\u003eBridge Over Troubled Water (Simon and Garfunkel)\u003c\/li\u003e\n\u003cli\u003eCome Together (The Beatles)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for all selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44663734141142,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44663734173910,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44663734206678,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/TogetherWMM.jpg?v=1700371463"},{"product_id":"top-secret","title":"Top Secret","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTop Secret\u003c\/em\u003e is a spy-thriller heist show built around tension, misdirection, and the payoff of a perfectly executed plan. The show moves through four distinct acts, each revealing another layer of the operation.\u003c\/p\u003e\n\u003cp\u003eThe opening establishes the mission briefing, shadowy, rhythmically driven, and deliberately unsettled, drawing on Gordon Goodwin's \u003cem\u003e\u003cstrong\u003eWhodunnit\u003c\/strong\u003e\u003c\/em\u003e to set the scene. Something is being stolen. Someone is responsible. The band doesn't give it away yet.\u003c\/p\u003e\n\u003cp\u003eThe second act is the heist itself, fueled by Todd Stalter's \u003cem\u003e\u003cstrong\u003eLoco Motion\u003c\/strong\u003e\u003c\/em\u003e, kinetic, unpredictable, and built for visual payoff. This is where your performers get to move with urgency and precision in equal measure. The audience thinks they know where it's going. They don't.\u003c\/p\u003e\n\u003cp\u003eAdele's \u003cem\u003e\u003cstrong\u003eSkyfall\u003c\/strong\u003e\u003c\/em\u003e arrives as the emotional center of the show, the ballad that slows everything down and asks what's really at stake. It's the moment your soloists earn their spotlight, and the moment the audience leans in closest.\u003c\/p\u003e\n\u003cp\u003eThen the closer pulls the threads together. Themes from across the show return, recontextualized and layered, building toward a finale that rewards everyone who was paying attention. The mission is complete. The crowd never saw it coming.\u003c\/p\u003e\n\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCopyright clearances required:\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"list-style-type: none;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eWhodunnit\u003c\/em\u003e (Gordon Goodwin)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eLoco Motion\u003c\/em\u003e (Todd Stalter)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSkyfall\u003c\/em\u003e (Adele\/Paul Epworth)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":44663736500438,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":44663736533206,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":44663736565974,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/TopSecretWMM.jpg?v=1700371569"},{"product_id":"cirque-diabolique","title":"Cirque Diabolique","description":"\u003cp\u003eThe train arrives without warning.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCirque Diabolique\u003c\/em\u003e opens with the unmistakable energy of Danny Elfman's \u003cem\u003e\u003cstrong\u003ePee-wee's Big Adventure\u003c\/strong\u003e\u003c\/em\u003e, and for a moment, it plays it completely straight. The circus is coming to town. The crowd is excited. The band sounds like a celebration. Classic circus marches weave through the opening, including the familiar strains of \u003cem\u003eBarnum \u0026amp; Bailey's Favorite\u003c\/em\u003e and \u003cem\u003eThunder and Blazes\u003c\/em\u003e, and everything feels exactly like it should.\u003c\/p\u003e\n\u003cp\u003eThen something shifts.\u003c\/p\u003e\n\u003cp\u003eAs the circus unloads and sets up, the cracks begin to show. Phish's \u003cem\u003e\u003cstrong\u003eEsther\u003c\/strong\u003e\u003c\/em\u003e, a song built around a deeply unsettling fairy tale, takes the show into its first dark turn. The melody is almost pretty. Almost. The harmony underneath it tells a different story, and by the time it resolves, the audience has figured out that this is not the circus they thought they were watching.\u003c\/p\u003e\n\u003cp\u003eDanny Elfman's \u003cem\u003e\u003cstrong\u003eEdward Scissorhands\u003c\/strong\u003e\u003c\/em\u003e (Introduction and Titles) arrives as the emotional center of the show, the ballad that asks what loneliness and spectacle have in common. It's the quietest moment in the production and the most haunting. The circus has stopped pretending.\u003c\/p\u003e\n\u003cp\u003eThe Beatles' \u003cem\u003e\u003cstrong\u003eBeing for the Benefit of Mr. Kite!\u003c\/strong\u003e\u003c\/em\u003e drives the penultimate movement, a song that has always lived in the uncomfortable space between carnival joy and carnival dread. Here it leans hard into the latter, giving your ensemble a chance to play with rhythmic instability and theatrical energy in equal measure.\u003c\/p\u003e\n\u003cp\u003eThen Danny Elfman's \u003cem\u003e\u003cstrong\u003eBeetlejuice\u003c\/strong\u003e\u003c\/em\u003e closes the show, and the circus reveals itself completely. Fast, chaotic, and built for maximum effect, the finale pulls every dark thread the show has been weaving and snaps them tight. The secrets are out. The crowd never saw it coming.\u003c\/p\u003e\n\u003cp\u003eThree of the five primary selections are Danny Elfman compositions, giving \u003cem\u003eCirque Diabolique\u003c\/em\u003e a remarkably unified sonic identity, the specific register of whimsy-turned-menace that Elfman owns more completely than any living film composer. The circus marches, all public domain, anchor the show's pageantry and make the darkness land harder by contrast.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCopyright clearances required:\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003ePee-wee's Big Adventure\u003c\/em\u003e (Danny Elfman)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eEsther\u003c\/em\u003e (Trey Anastasio \/ Phish)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eEdward Scissorhands, Introduction\/Titles\u003c\/em\u003e (Danny Elfman)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eBeing for the Benefit of Mr. Kite!\u003c\/em\u003e (Lennon\/McCartney)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eBeetlejuice\u003c\/em\u003e (Danny Elfman)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Easy, which lines up with a concert grade of roughly 2 to 3. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBarnum \u0026amp; Bailey's Favorite\u003c\/em\u003e and \u003cem\u003eThunder and Blazes\u003c\/em\u003e are public domain, no clearances required.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWinds and Sound Design by Dr. Ryan J Williams; Percussion by Jason Frith\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-Is","offer_id":47949712949462,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":47949712982230,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Notation File","offer_id":47949713014998,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/Gemini_Generated_Image_b96gokb96gokb96g.png?v=1773706660"},{"product_id":"man-more-than-machine","title":"Man: More than Machine","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eMore Than Machine asks how much of what we do is actually our own, and it does not rush to answer. The show sits on the line between human and automaton, the routines we run without thinking, the systems we build that start running us back, the point where efficiency stops looking like progress and starts looking like something else. The question gets posed through sound and movement, and the audience is left to sit with it.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis show was designed for small bands to be successful. The score includes parts for all instruments, but there is significant doubling across those parts, so any combination of instruments, including less-than-ideal instrumentation, can carry the show in performance.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eRandall Standridge's music forms the backbone of the score. Deus Ex Machina, Wrath of the Mechanical Monsters, and Me (reAffirmation) each bring a different color, running from mechanical and imposing to something more personal and resistant. Styx's Mr. Roboto is the moment the audience recognizes instantly, put to work for the concept instead of sitting there as a novelty. Daft Punk's Harder, Better, Faster, Stronger carries the most explicitly electronic, machine-coded energy in the book, and reinforces the idea without spelling it out.\u003c\/p\u003e\n\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe percussion is written around a small section that lives entirely in the pit, which lets fewer students cover more instruments and gives you a wider variety of colors out of the front ensemble. One design recommendation, place that percussion section on the field behind the winds rather than out front, it helps with pulse control.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eEvery solo in the production is doubled across multiple instruments so you can cast to your strengths. The introduction opens with a solo in mellophone, alto sax, or tenor sax, followed by a flute or clarinet solo. The second movement has another mellophone, alto sax, or tenor sax solo, and that can be the same player or a different one, whatever your band is able to support.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003c\/p\u003e\u003cp\u003eThe music:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDeus Ex Machina (Randall Standridge)\u003c\/li\u003e\n\u003cli\u003eWrath of the Mechanical Monsters (Randall Standridge)\u003c\/li\u003e\n\u003cli\u003eMe (reAffirmation) (Randall Standridge)\u003c\/li\u003e\n\u003cli\u003eMr. Roboto (Styx \/ Dennis DeYoung)\u003c\/li\u003e\n\u003cli\u003eHarder, Better, Faster, Stronger (Daft Punk)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Easy, which lines up with a concert grade of roughly 2 to 3. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCopyright clearances required: Deus Ex Machina (Randall Standridge), Wrath of the Mechanical Monsters (Randall Standridge), Me (reAffirmation) (Randall Standridge), Mr. Roboto (Styx \/ Dennis DeYoung), Harder, Better, Faster, Stronger (Daft Punk).\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-Is","offer_id":48920599920854,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48920599953622,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Notation File","offer_id":48920599986390,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/ManMorethanMachine.png?v=1783341004"},{"product_id":"frost-to-flame","title":"From Frost to Flame","description":"\u003cp\u003eFrom Frost to Flame is a journey across the full spectrum of temperature and color, from the deep blue stillness of ice to the roaring red of fire. It's a show about transformation as pure elemental force: the frozen world thawing, the cold giving way to heat, the blues melting into reds until what began locked in frost ends fully ablaze. There's no myth or story wrapped around it, just the raw, satisfying arc of one extreme becoming its opposite, and all the drama and color that lives in the space between.\u003c\/p\u003e\n\u003cp\u003eThe production is built as a slow, gorgeous burn. It opens crystalline and cold, spare and glassy, and heats by degrees across the show until it erupts into full, radiant flame. That built-in arc gives an ensemble a rewarding build to play, and a visual palette that shifts from icy blues to blazing reds right in front of the crowd. A \u003cstrong\u003eState Champion and Class Champion\u003c\/strong\u003e production, it's a proven, high-impact show that fits a band of any size and delivers a satisfying journey from the first cold note to the last burst of fire.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRe(new)al (Viet Cuong)\u003c\/li\u003e\n\u003cli\u003eInspired by Winter and Summer, from The Four Seasons (Antonio Vivaldi)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for the Viet Cuong selection. The Vivaldi material is in the public domain.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981590048982,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981590081750,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981590114518,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}]},{"product_id":"phased","title":"Phased","description":"\u003cp\u003ePhased is a show about transformation, told through the three states of matter. It moves in three phases, liquid, solid, gas, and lets each one shape its own world on the field. Water flows: fluid, lyrical, and ever-moving. Ice locks into place: crystalline, sharp, and still. Steam breaks loose: energetic, rising, and wild. The show journeys through each transformation in turn, one substance wearing three completely different faces, and finds a surprising amount of drama in the simple physics of a thing changing its nature.\u003c\/p\u003e\n\u003cp\u003eThis show was designed for small bands to be successful. The score includes parts for all instruments, but there is significant doubling across those parts, so any combination of instruments, including less-than-ideal instrumentation, can carry the show in performance.\u003c\/p\u003e\n\u003cp\u003eIt's a smart, clean, visually rich concept with a built-in three-part structure that gives an ensemble genuine range to play, from the calm of flowing water to the frozen tension of ice to the untamed release of steam. And because the entire score is original, drawing its melodic character from folk material without borrowing a note that needs licensing, the whole production is clearance-free, yours to perform with nothing to chase down.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOriginal score by Ryan, in three movements (Liquid \/ Solid \/ Gas), drawing on folk-tune character\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Easy, which lines up with a concert grade of roughly 2 to 3. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis show is entirely original. No permissions or licensing are required.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981590147286,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981590180054,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981590212822,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}]},{"product_id":"inventor","title":"The Inventor","description":"\u003cp\u003eThe Inventor steps inside the workshop of Leonardo da Vinci, the greatest mind of his age, and finds not triumph but toil. This is a show about the \u003cem\u003estruggle\u003c\/em\u003e of genius: the obsession, the failed prototypes, the sketches that never left the page, the loneliness of seeing centuries ahead of everyone around you. It follows Leonardo as he wrestles with his flying machines and his impossible ambitions, chasing ideas the world wasn't ready for, caught between brilliance and the frustration of a mind that could dream faster than any hand could build. It's a portrait of the inventor as a restless, driven, half-mad visionary.\u003c\/p\u003e\n\u003cp\u003eThe production has real intellectual and emotional weight, and it gives an ensemble a genuine character to inhabit, from the soaring wonder of the dream to the dark, churning intensity of a genius on the edge. It's a substantive, dramatically rich show for a program that wants a concept with depth and a soundtrack with serious range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKingfishers Catch Fire (John Mackey)\u003c\/li\u003e\n\u003cli\u003eLeonardo Dreams of His Flying Machine (Eric Whitacre)\u003c\/li\u003e\n\u003cli\u003eDiary of a Madman (Ozzy Osbourne)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for all three selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981590245590,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981590278358,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981590311126,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}]},{"product_id":"british-invasion","title":"The British Invasion","description":"\u003cp\u003eThe British Invasion comes at you from two directions at once. It's the roar of the 1960s, when British rock crossed the Atlantic and took over American radio for good, and it's a nod to the older British invasion: the proud martial and wind band tradition that gave the world its great English band music. This show storms the field with both, the pomp and craft of the classic British band canon colliding head-on with the swagger of British rock's biggest icons. Crown and amplifier, concert hall and rock club, all flying the same flag.\u003c\/p\u003e\n\u003cp\u003eThis show was designed for small bands to be successful. The score includes parts for all instruments, but there is significant doubling across those parts, so any combination of instruments, including less-than-ideal instrumentation, can carry the show in performance.\u003c\/p\u003e\n\u003cp\u003eIt's a high-energy, unabashedly fun production, stately one moment and full-throttle the next, stacked with music an audience recognizes from both sides of the tradition. And because it's built on public-domain band classics and original writing that captures the spirit of British rock without borrowing a note that needs licensing, the whole show is yours to perform with no clearances to chase, a bold, crowd-pleasing ride that's as easy to buy as it is to love.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHolst's Suites for Military Band (public domain)\u003c\/li\u003e\n\u003cli\u003eVaughan Williams's English Folk Song Suite (public domain)\u003c\/li\u003e\n\u003cli\u003eOriginal writing evoking the spirit of British rock, including the Rolling Stones and the Police\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis show carries no arranging clearances. The Holst and Vaughan Williams works are public domain, and the rock-inspired material is original.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981590343894,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981590376662,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981590409430,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}]},{"product_id":"something-blue","title":"Something Blue","description":"\u003cp\u003eSomething Blue isn't chasing a big concept, and that's the point. It's three great tunes that happen to play off each other beautifully, built for groove and built for fun. The thread is right there in the titles, a blue streak running from Ticheli to Gershwin to Queen, but really this is a show about the music itself: the pocket, the swagger, the sheer pleasure of a band digging into charts this good.\u003c\/p\u003e\n\u003cp\u003eIt's a loose, stylish, feel-good production with attitude to spare, jazzy and rhapsodic and just plain enjoyable to play. It hands an ensemble a fun ride and hands a crowd a great time, the kind of show that wins a stadium on pure musicianship and groove rather than spectacle. Sometimes the best concept is three tunes that cook.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlue Shades (Frank Ticheli)\u003c\/li\u003e\n\u003cli\u003eRhapsody in Blue (George Gershwin)\u003c\/li\u003e\n\u003cli\u003eBohemian Rhapsody (Queen)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for all three selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981590442198,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981590474966,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981590507734,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}]},{"product_id":"five","title":"The Five","description":"\u003cp\u003eThe Five is a love letter to New York City, told one borough at a time. It's a show about the greatest city in the world in all its noise and swagger and heartbreak and ambition, five distinct neighborhoods, five different energies, woven into a single, electric portrait of the place that never stops moving. From the waterfront to the skyline, from the old standards to the modern anthems, it's the sound of a city that has scored a century of American dreams, with a detour or two along the way, because that's how a night in New York actually goes.\u003c\/p\u003e\n\u003cp\u003eBuilt on some of the most iconic New York music ever written, it's an unabashed crowd-pleaser: brassy, cinematic, and instantly recognizable from the first note. The Bronx gets its own signature moment, a featured flugelhorn quartet that gives the show a warm, burnished centerpiece and puts four of your players out front. It's a big, bold, high-energy production packed with tunes an audience already knows, built for an ensemble with the swagger to carry a stadium and a crowd that'll be singing along before the first movement is done.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOn the Town (Leonard Bernstein)\u003c\/li\u003e\n\u003cli\u003eOn the Waterfront (Leonard Bernstein)\u003c\/li\u003e\n\u003cli\u003eNew York, New York (Frank Sinatra)\u003c\/li\u003e\n\u003cli\u003eStreets of the Bronx (Cool Change), featured flugelhorn quartet\u003c\/li\u003e\n\u003cli\u003eEmpire State of Mind (Jay-Z and Alicia Keys)\u003c\/li\u003e\n\u003cli\u003eCity of Angels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for all selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981590540502,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981590573270,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981590606038,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}]},{"product_id":"bend-and-break","title":"Bend and Break","description":"\u003cp\u003eBend and Break is a study in lines, in structure, and in what happens when you push both past the point they can hold. The show is pure abstraction: geometric shapes drawn in the drill and built into the props, clean lines stretched and bent under mounting tension until they finally give way and come apart. And then the twist, the pieces find their way back together, but reassembled in all the wrong order, into something new that never existed before. It's a show about order, collapse, and the strange, off-kilter beauty of putting the pieces back differently.\u003c\/p\u003e\n\u003cp\u003eThis show was designed for small bands to be successful. The score includes parts for all instruments, but there is significant doubling across those parts, so any combination of instruments, including less-than-ideal instrumentation, can carry the show in performance.\u003c\/p\u003e\n\u003cp\u003eThe concept is design-forward and modern, built on abstraction and visual craft rather than spectacle, paired with a spare, angular, contemporary soundtrack. It's a thinking program's show, proof that a strong concept can look every bit as cutting-edge as anyone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\nPollock (Jeff Beal)\n\u003c\/li\u003e\n\u003cli\u003e\nHide and Seek (Imogen Heap)\n\u003c\/li\u003e\n\u003cli\u003e\nKoyaanisqatsi (Philip Glass)\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for all three selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981590638806,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981590671574,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981590704342,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}]},{"product_id":"taking-flight","title":"Taking Flight","description":"\u003cp\u003eTaking Flight is a show about the oldest human dream: to leave the ground behind. It captures the whole arc of the impulse, the anticipation before the launch, the breathless rush of the climb, the sudden weightless beauty of the world falling away beneath you. It reaches for the exhilaration and the wonder of being airborne, the pure freedom of the open sky, and the awe of seeing everything you know from somewhere far above it. This is a soaring, uplifting production built around the thrill of the ascent.\u003c\/p\u003e\n\u003cp\u003eThis show was designed for small bands to be successful. The score includes parts for all instruments, but there is significant doubling across those parts, so any combination of instruments, including less-than-ideal instrumentation, can carry the show in performance.\u003c\/p\u003e\n\u003cp\u003eThe music matches the ambition, sweeping and cinematic, with real lift under it, from the wide-open lyricism of the heights to the driving energy of the climb. It gives an ensemble a soaring vehicle, expansive and emotional and full of momentum, the kind of show that opens up over a stadium and lifts a crowd right along with it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBoth Sides Now (Joni Mitchell)\u003c\/li\u003e\n\u003cli\u003eInterstellar Suite (Amin Bhatia)\u003c\/li\u003e\n\u003cli\u003eTo Tame the Perilous Skies (David Holsinger)\u003c\/li\u003e\n\u003cli\u003eReverberations (Brian Balmages)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Easy, which lines up with a concert grade of roughly 2 to 3. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for all four selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981590737110,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981590769878,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981590802646,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}]},{"product_id":"spring","title":"Spring","description":"\u003cp\u003e\u003cstrong\u003eSpring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpring is the season stripped back to its primal roots. Not the gentle, pastel version, but the raw one: the violent green of the earth cracking open, the surge of things clawing back to life, the old rituals humans built around the terror and thrill of the world waking up again. This is a show about rebirth as a \u003cem\u003eforce\u003c\/em\u003e, the ground thawing, the blood quickening, the ceremony and the sacrifice that ancient cultures wrapped around the return of the light. It's earthy, driving, and alive, spring with dirt under its fingernails.\u003c\/p\u003e\n\u003cp\u003eThe production draws its energy from two of the most iconic pieces of music ever written about the season, one pastoral and radiant, the other feral and pounding, and lets them play off each other to capture spring in full: both the beauty of the bloom and the primal power underneath it. It's a striking, high-energy concept with real musical pedigree, built for an ensemble that wants a show with both color and teeth.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInspired by The Rite of Spring (Igor Stravinsky)\u003c\/li\u003e\n\u003cli\u003eSpring, from The Four Seasons (Antonio Vivaldi)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBoth source works are in the public domain, so this show carries no arranging clearances.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981590835414,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981590868182,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981590900950,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}]},{"product_id":"countdown","title":"Countdown","description":"\u003cp\u003eCountdown is a show about time, and about running out of it. It lives inside that mounting pressure, the relentless tick of the clock, the sense of a deadline closing in, the anxious, driving momentum of a moment slipping away faster than you can hold it. It builds relentless and propulsive, a race against a countdown you can feel in your chest, all coiled tension and forward drive toward a clock that will not stop.\u003c\/p\u003e\n\u003cp\u003eThe music is where this show announces itself. Drawing on Philip Glass, Mason Bates, Wojciech Kilar, Rush, and Imogen Heap, it's built on driving minimalist engines and pulsing, mechanical rhythm, the sound of time itself in motion. This is a production for a program with real musical taste and the chops to match, an ensemble that wants a show with a pulse, a point of view, and a rep list nobody else on the circuit is touching.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMishima (Philip Glass)\u003c\/li\u003e\n\u003cli\u003ePhilharmonia Fantastique (Mason Bates)\u003c\/li\u003e\n\u003cli\u003eTime Stand Still (Rush)\u003c\/li\u003e\n\u003cli\u003eCycle Song (Imogen Heap)\u003c\/li\u003e\n\u003cli\u003eOrawa (Wojciech Kilar)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. 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But there's a question hanging over the casket. Whose funeral is this? Yours.\u003c\/p\u003e\n\u003cp\u003eFrom there the show descends, out of the daylight and down into the mysticism of the city's Creole and Afro-Caribbean underworld, the spirits, the ritual, the old power of New Orleans Voodoo. It's a journey through the veil between the living and the dead, atmospheric and haunted and alive with dark energy. And then, the way the tradition demands, the mourning turns to celebration. The show ends as it began, with the second line marching back down the street, horns raised, the living dancing the dead home. The dirge has become a party. The only question left is whose turn it is next.\u003c\/p\u003e\n\u003cp\u003eBecause the score is entirely original, there's nothing to license, no clearances, and no other band in the country performing it, a haunted, jubilant, unmistakably New Orleans production that's yours and yours alone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOriginal score by Ryan, drawing on the New Orleans jazz funeral and second-line tradition, including the traditional \"Just a Closer Walk with Thee\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis show is entirely original. 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The show lives inside that struggle, the doubt, the fear, the reckoning with what answering the call might cost, before the hero finally commits and steps forward into the unknown. And then the question the title has been holding all along: do they live, or do they die?\u003c\/p\u003e\n\u003cp\u003eThe production is dark, cinematic, and emotionally serious, built for an ensemble that wants to tell a real story with real stakes. Because the entire score is original, written specifically for the field, there are no arrangements to license, no clearances to chase, and no other program in the country performing this music. It is a show with genuine dramatic depth and a completely clean rights slate, yours to perform with nothing standing between you and the field.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOriginal score by Ryan, composed for the marching field\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis show is entirely original. No permissions or licensing are required.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981591425238,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981591458006,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981591490774,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/QuandoCorpusMorietur.png?v=1783567771"},{"product_id":"destination","title":"Destination","description":"\u003cp\u003e\u003cstrong\u003eDestination\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDestination is a road trip in show form. It's about the pull of the open road, the thrill of setting out, the world rolling by the window, and the people and places you pick up along the way. And here's the twist the title is playing on: for all the talk of getting \u003cem\u003esomewhere\u003c\/em\u003e, the whole point is that life is about the journey, not the arrival. The destination is just the excuse to go.\u003c\/p\u003e\n\u003cp\u003eIt's a bright, warm, wind-in-your-hair kind of show, built on the joy of movement and the optimism of the road ahead. Familiar, feel-good, and easy to love from the stands, it hands an ensemble an upbeat, crowd-pleasing production with a genuine heart underneath the fun, the reminder to enjoy the miles while you're logging them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLife is a Highway (Rascal Flatts)\u003c\/li\u003e\n\u003cli\u003eTake Me Home, Country Roads (John Denver)\u003c\/li\u003e\n\u003cli\u003eGo the Distance (Alan Menken)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for all three selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981591556310,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981591589078,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981591621846,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/Destination.png?v=1783568008"},{"product_id":"prism","title":"Prism","description":"\u003cp\u003ePrism is about the hidden spectrum inside a single thing. Hold one beam of white light up to the right angle and it shatters into every color at once, and that's the whole idea of this show: one melody, refracted again and again, revealing a different shade of itself each time. It's a production about how much color lives inside something that first looked plain, and how a single idea can bloom into a spectrum.\u003c\/p\u003e\n\u003cp\u003eThis show was designed for small bands to be successful. The score includes parts for all instruments, but there is significant doubling across those parts, so any combination of instruments, including less-than-ideal instrumentation, can carry the show in performance.\u003c\/p\u003e\n\u003cp\u003eOn the field, the metaphor is built into the props: prism forms that catch and bend the light, and as each color is \"refracted\" out, another version of the show's central tune emerges, recolored, recast, seen from a new angle. The through-line is Chicago's \u003cem\u003eColour My World\u003c\/em\u003e, and the fun of the show is watching one familiar melody turn into a dozen different colors of itself. Underneath, the harmonies carry echoes of music you'll recognize without quite naming, more light bent through the same glass. It's a warm, visually striking, endlessly colorful production that scales cleanly to a band of any size.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColour My World (Chicago)\u003c\/li\u003e\n\u003cli\u003ePrelude in C (Bach)\u003c\/li\u003e\n\u003cli\u003eOriginal writing by Ryan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for the Chicago selection. Bach's\u003c\/em\u003e Prelude in C \u003cem\u003eis in the public domain.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981591654614,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981591687382,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981591720150,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/Prism.png?v=1783568203"},{"product_id":"playground","title":"The Playground","description":"\u003cp\u003eThe Playground is recess, bottled. It's a show about the pure, unguarded joy of kids at play, the wide-open innocence of a world where the only job is to have fun. Bright, warm, and full of heart, it trades drama and spectacle for something rarer on a competition field: genuine delight. This is the show that makes a whole stadium smile without trying.\u003c\/p\u003e\n\u003cp\u003eThe concept comes alive in the staging. The field becomes an actual playground, slides, swings, and see-saws, and throughout the show soloists and small ensembles perform \u003cem\u003efrom\u003c\/em\u003e the equipment, playing their features perched on a slide or rocking on a see-saw. It turns the visual into a living scene and gives your standout players charming, high-visibility moments. It's an accessible, feel-good production with real staging personality, perfect for a program that wants to win a crowd with warmth instead of muscle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSesame Street Theme (Joe Raposo)\u003c\/li\u003e\n\u003cli\u003ePure Imagination (Leslie Bricusse)\u003c\/li\u003e\n\u003cli\u003eLand of Make Believe (Chuck Mangione)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for all three selections.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981591785686,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981591818454,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981591851222,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/ThePlayground.png?v=1783568324"},{"product_id":"orpheus","title":"Orpheus: Through the Underworld","description":"\u003cp\u003eOrpheus: Through the Underworld descends into one of the oldest and most heartbreaking stories ever told, the myth of the musician who loved so deeply he followed his bride past the gates of death itself. It walks the road down into the underworld, strikes the impossible bargain with the powers below, and climbs back toward the light carrying everything on a single condition, and a single, fatal backward glance. This is a show about love, grief, and the cruelty of hope.\u003c\/p\u003e\n\u003cp\u003eThis show was designed for small bands to be successful. The score includes parts for all instruments, but there is significant doubling across those parts, so any combination of instruments, including less-than-ideal instrumentation, can carry the show in performance.\u003c\/p\u003e\n\u003cp\u003eThe production filters the ancient myth through a modern lens, drawing on themes from the acclaimed retelling that brought this story to a new generation, and pairs them with one of opera's most devastating laments. It's a rich, dramatic, emotionally serious show, built for an ensemble that wants to \u003cem\u003eact\u003c\/em\u003e, not just perform, and to take an audience somewhere that lingers well after the last note.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWhy We Build the Wall (Anaïs Mitchell, from Hadestown)\u003c\/li\u003e\n\u003cli\u003eDido's Lament (Henry Purcell)\u003c\/li\u003e\n\u003cli\u003eOriginal writing by Ryan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Easy, which lines up with a concert grade of roughly 2 to 3. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for the Anaïs Mitchell selection. Purcell's\u003c\/em\u003e Dido's Lament \u003cem\u003eis in the public domain.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981591883990,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981591916758,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981591949526,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/OrpheusThroughtheUnderworld.png?v=1783568588"},{"product_id":"joy","title":"Joy","description":"\u003cp\u003eJoy is exactly what it says. This is a show built to lift a crowd, an unabashedly warm, radiant, feel-good production that trades darkness and conflict for light. It leans into everything uplifting, the swell of a big major-key moment, the kind of music that puts a lump in your throat and a grin on your face at the same time. Woven through it are strains of some of the most joyful melodies ever written, familiar threads of celebration and gratitude that the ear catches and holds onto.\u003c\/p\u003e\n\u003cp\u003eIt's the show you program when you want to send an audience home feeling \u003cem\u003egood\u003c\/em\u003e. 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Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for the Hazo, Cohen, and Curiale selections. The show also weaves in public-domain joyful melodies, including strains of Bach's Jesu, Joy of Man's Desiring and Beethoven's Ode to Joy.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981591982294,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981592015062,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981592047830,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/Joy.png?v=1783568757"},{"product_id":"overthrone","title":"OverThrone","description":"\u003cp\u003eOverThrone is a war for the crown. Two queens, one throne, and a kingdom caught between them, this show is a clash of wills, ambition, and raw power, with the reign itself hanging in the balance. It's got palace grandeur and open conflict in equal measure: the pomp of the court, the plotting in the shadows, and the all-out struggle for who gets to rule. The title says it all, someone is getting overthrown.\u003c\/p\u003e\n\u003cp\u003eThis show was designed for small bands to be successful. The score includes parts for all instruments, but there is significant doubling across those parts, so any combination of instruments, including less-than-ideal instrumentation, can carry the show in performance.\u003c\/p\u003e\n\u003cp\u003eAt the show's center is a featured solo on Everybody Wants to Rule the World, written for a vocalist to give one of the queens her defining moment out front. Don't have a singer? The solo works just as well on a solo instrument, so the feature is yours to cast either way.\u003c\/p\u003e\n\u003cp\u003eThe concept is theatrical and easy to read from the stands, and the writing sits in a medium range that puts it well within reach of a smaller program. It hands a compact band a big, dramatic story to tell, regal and combative and fun, proof that you don't need a hundred and fifty players to command a field.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProcession of the Nobles (Rimsky-Korsakov)\u003c\/li\u003e\n\u003cli\u003eQueen of the Night (Mozart)\u003c\/li\u003e\n\u003cli\u003eEverybody Wants to Rule the World (Tears for Fears), featured vocal or solo instrument\u003c\/li\u003e\n\u003cli\u003eBohemian Rhapsody (Queen)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for the Tears for Fears and Queen selections. The Rimsky-Korsakov and Mozart works are in the public domain.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981592113366,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981592146134,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981592178902,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/OverThrone.png?v=1783568972"},{"product_id":"howl","title":"HOWL","description":"\u003cp\u003eHOWL is a show about the wolf: the pull of the full moon, the shiver of the pack in the dark, the wild thing that lives just past the edge of the firelight. It runs on transformation and instinct, the tension between the human and the animal, the civilized and the untamed. Part moonlit and atmospheric, part fangs-out and ferocious, it plays the whole range from the eerie calm of a silver night to the snarl of the hunt.\u003c\/p\u003e\n\u003cp\u003eThis show was designed for small bands to be successful. The score includes parts for all instruments, but there is significant doubling across those parts, so any combination of instruments, including less-than-ideal instrumentation, can carry the show in performance.\u003c\/p\u003e\n\u003cp\u003eThe production gives an ensemble a rich vein of drama to sink into, moody and cinematic one moment, snapping and physical the next. It's a concept with instant hooks and a real sense of theater, the kind of show a crowd feels in the back of the neck, built for a program that wants to prowl the field rather than just march it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMoonlight Sonata (Beethoven)\u003c\/li\u003e\n\u003cli\u003eMoondance (Van Morrison)\u003c\/li\u003e\n\u003cli\u003eHungry Like the Wolf (Duran Duran)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for the Van Morrison and Duran Duran selections. Beethoven's\u003c\/em\u003e Moonlight Sonata \u003cem\u003eis in the public domain.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981592211670,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981592244438,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981592277206,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/HOWL.png?v=1783569162"},{"product_id":"great-unknown","title":"Into the Great Unknown","description":"\u003cp\u003eInto the Great Unknown looks up. It's a show about the pull of the infinite, the vastness overhead, the ache to know what's out there, and the question that has driven us since the first human looked at the night sky and wondered. It moves from the awe of standing small beneath the stars to the resolve of setting out anyway, toward a horizon we can't see the end of.\u003c\/p\u003e\n\u003cp\u003eThe production is built for scale and wonder. It reaches from hushed, weightless stillness to soaring, cinematic grandeur, the sound of a program that wants its show to feel \u003cem\u003eenormous\u003c\/em\u003e. This is a vehicle for an ensemble ready to fill a stadium with something majestic, and to carry an audience from quiet awe all the way to liftoff.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAlso sprach Zarathustra (Richard Strauss)\u003c\/li\u003e\n\u003cli\u003eMars and Jupiter, from The Planets (Gustav Holst)\u003c\/li\u003e\n\u003cli\u003eA Sky Full of Stars (Coldplay)\u003c\/li\u003e\n\u003cli\u003eEnd Credits from Star Trek: First Contact (Jerry Goldsmith)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for the Holst, Coldplay, and Goldsmith selections. Strauss's\u003c\/em\u003e Also sprach Zarathustra \u003cem\u003eis in the public domain.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981592309974,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981592342742,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981592375510,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/IntotheGreatUnknown.png?v=1783569428"},{"product_id":"anthems","title":"Anthems of the Eras","description":"\u003cp\u003eAnthems of the Eras is a celebration of the songs that outlive their moment, the ones that get handed down, that a whole stadium still knows by heart decades later. It braids the anthems of one generation into the anthems of the one before it, the classics your parents blasted set against the classics their parents called timeless, and makes the case that every era writes music built to last.\u003c\/p\u003e\n\u003cp\u003eThe conceit is a series of collisions. The show pairs an unmistakable rock anthem with an equally unmistakable classical one and lets them share the same air, four times over. It is pure crowd delight, a production stacked front to back with tunes everybody already knows, and it hands an ensemble a joyful, high-energy vehicle that lands in the stands from the very first hit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe music, paired rock and classical:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWe Will Rock You (Queen) with Beethoven's Symphony No. 5\u003c\/li\u003e\n\u003cli\u003eSweet Child o' Mine (Guns N' Roses) with Mozart's Queen of the Night\u003c\/li\u003e\n\u003cli\u003ePaint It Black (The Rolling Stones) with Pachelbel's Canon in D\u003c\/li\u003e\n\u003cli\u003eThunderstruck (AC\/DC) with Bach's Toccata and Fugue in D minor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium, which lines up with a concert grade of roughly 2.5 to 3.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePermissions to arrange are required for the rock selections: We Will Rock You, Sweet Child o' Mine, Paint It Black, and Thunderstruck. The four classical works are in the public domain.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981592441046,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981592473814,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981592506582,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}]},{"product_id":"primal","title":"PRIMAL","description":"\u003cp\u003ePRIMAL drops the audience into the dawn of humankind, a raw and dangerous world of tribe against tribe, of ritual and blood and the earliest scramble for power. This is the world of the shaman and the high priest, of firelit ceremony and the conquest of one people by another. It is humanity stripped down to instinct and rhythm, before civilization sanded off the edges.\u003c\/p\u003e\n\u003cp\u003eThe show is built to be visceral. It lives in driving, primal percussion, dense and dissonant harmonic color, and the kind of controlled savagery that rewards a program willing to commit all the way in. There is nothing polite about it. PRIMAL is a production for an ensemble that wants to be \u003cem\u003eintense\u003c\/em\u003e, to unsettle a crowd and dominate a field, and it hands them a concept and a soundtrack with genuine teeth.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePermissions to Arrange are required for:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSensemayá (Silvestre Revueltas)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe rest of the score, including material drawn from Stravinsky's public-domain\u003c\/em\u003e The Rite of Spring*, is Ryan's original writing and arrangement.*\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981592572118,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981592604886,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981592637654,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/PRIMAL.png?v=1783569722"},{"product_id":"origin-of-fire","title":"The Origin of Fire","description":"\u003cp\u003eThe Origin of Fire reaches back to the oldest story we tell about warmth: the myth of Prometheus, who stole fire from the gods and carried it down to humankind. It is a story of defiance and of gift, of a single spark crossing from the heavens into human hands and changing everything it touched.\u003c\/p\u003e\n\u003cp\u003eThe show is built as a slow ignition. It opens dark and cold, sparse and searching, a world before the flame. From there it evolves and unwinds, and the warmth builds by degrees until the glow of the fire is something the audience can feel as much as hear. By the end, what began as a few cold embers has caught into full, radiant light. It's a production with a genuine arc, a real journey from darkness to blaze, and it gives an ensemble the satisfying build every performer wants to be part of.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePermissions to Arrange are required for:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGolden Hour (JVKE)\u003c\/li\u003e\n\u003cli\u003eOrigin of Fire (Sibelius)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. Keys and meters are chosen to stay band-friendly and to line up with the phrasing the drill needs, and instrument ranges sit inside the grade window rather than pushing its edges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe rest of the score is Ryan's original writing.\u003c\/em\u003e\u003c\/p\u003e","brand":"White Mage Music","offers":[{"title":"PDF Set As-is","offer_id":48981592670422,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true},{"title":"With Minor Edits","offer_id":48981592703190,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true},{"title":"Purchase Notation File","offer_id":48981592735958,"sku":null,"price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0681\/9666\/3510\/files\/TheOriginofFire.png?v=1783609113"},{"product_id":"me-the-machine","title":"Me the Machine","description":"\u003cp\u003eMe, the Machine is a piece of social commentary about the line between us and our devices, and how quietly it has disappeared. It sits with an uncomfortable truth: we don't just use the machines anymore, we've merged with them. The phone in the hand, the feed that never ends, the systems that watch and sort us while we scroll. Somewhere along the way, the tool became an extension of the self, and then it was hard to say where one stopped and the other began.\u003c\/p\u003e\n\u003cp\u003eThe show leans into that tension. It moves between the cold precision of the mechanical and the warmth of the human still buried inside it, asking whether we are running the machine or the machine is running us. It's a thinking audience's show, a concept with something to say, built for a program that wants a production with a point of view rather than just a highlight reel. The design gives an ensemble real dramatic range to play, from the clinical to the deeply human, and rewards a band ready to commit to the idea.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePermissions to Arrange are required for:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMachine (William Bolcom)\u003c\/li\u003e\n\u003cli\u003eHymn of Acxiom (Vienna Teng)\u003c\/li\u003e\n\u003cli\u003eUffe's Woodshop (Tyondai Braxton)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis show is rated Medium-Advanced, which lines up with a concert grade of roughly 2.5 to 4.5. That's an approximation. A featured soloist or small ensemble moment can sit toward the top of that range, while full ensemble sections built around visual impact stay lighter on the musical demand.\u003c\/p\u003e\n\u003cp\u003eThe rating leans almost entirely on rhythmic and technical difficulty. 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